Theatre.
Theatre has been part of my life since I was a kid. My mom used to take my brother and me to see shows at Casa MaƱana in Ft. Worth, and then as I got older, she and I would see shows that came through at Dallas Summer Musicals. The first show I remember seeing and loving was The Phantom of the Opera. Kevin Gray (OBM) was the title role. I was in awe of his talent and joined his fan club. (This is back when you had to actually fill out paper and mail something to join. He – or the club – sent me an autographed headshot.)
Fast forward a few years to 1994. I was cast in my very first show – As You Like It – at the Globe of the Great Southwest in Odessa. I was a lady-in-waiting and the understudy for Phebe. At only 14 years old, this was a big deal for me. I never went on as Phebe and I’m not certain I could have, but I thoroughly enjoyed the experience getting to work with some incredibly talented individuals. It also got me out of school a bit! After this show, it would be roughly ten years before I would step foot on stage, but when I did, I didn’t look back.
I have been fortunate to be part of some amazing shows since I found my way in – San Antonio College: Seussical the Musical (Mrs. Mayor); Sheldon Vexler Theatre: Urinetown: The Musical (Soupy Sue), Side Show (Dolly Dimples, u/s Violet), VEXed: A Musical Review, RENT (Mark’s Mom, “Season’s Soloist”, costumer), & Little Shop of Horrors (Ensemble, soloist); The Playhouse (now Public Theatre of San Antonio): Here’s Love (not my favorite show, but I met some amazing, lifelong friends doing this one), A Christmas Carol (4 years and a variety of roles), The Sound of Music (Sister Sophia), The King & I (wife of the King), & Thoroughly Modern Millie (ensemble); Woodlawn: 9 to 5: The Musical (Margaret Pomerance – the “Atta Girl” lady).
Each of the aforementioned productions, and others not listed, have helped me grow as a performer, and each holds a special place in my heart for one reason or another. One, of course, stands out more than the rest.
I first saw RENT in 2004 when my best friend & I went to NYC. I’d heard a couple of songs from the show but didn’t know it like most of my friends. I didn’t know which characters died. I didn’t know anything about who Angel was. I didn’t know the character relationships. I just knew that it was a big deal and I needed to see it. The cast was incredible: Matt Caplan (Mark), Jeremy Kushnier (Roger), Mel B – yes Scary Spice!! (Mimi), Maggie Benjamin (Maureen), Andy SeƱor (Angel), D’Monroe (Benny), Danielle Lee Greaves (Joanne), Mark Richard Ford (Collins). I remember the moment I realized Angel had died. I’m pretty certain I let out an audible gasp. And I am certain I sobbed. The song I had stuck in my head? “Goodbye Love.” I saw the show on Broadway another 2 or 3 times. I’ve seen the tour 2 or 3 times. I saw the movie (blech). I saw the final performance screening in theaters multiple times. And I have listened to the cast recording countless times. RENT very quickly became a favorite.
So when Ken Frazier decided to direct it at The Vex, I decided I was going to be in it, some how/way/why. I had my hopes of who I wanted to play, and unfortunately that didn’t happen. Truth? The sting is still there. But it all worked out, and I loved being part of the show in the capacity I was. And I had a BLAST as Mark’s mom. I also loved getting to surprise friends when they heard me hit that money note in “Seasons of Love.” Our cast was brilliant. The set was perfect. The costumes gave subtle nods to originals, but were unique (looking back, I’d change a few things). Ken made it his own in so many ways, which was special as the San Antonio debut. I have never felt that kind of a bond with a cast for any show I’ve been in. We left rehearsals crying. We knew these stories were about real people. That the world Jonathan Larson so carefully crafted was very real. And our job was to tell those stories. We changed the names, as the script says you can, during “Life Support” to those of people we knew or people on the creative team knew – even names from friends – who lost their battle with AIDS.
After being in the show, it was hard for a while to listen to any recording of RENT, or to even see another production. It just held – and continues to hold – such a special place in my heart, and I knew I would be an unfair critic of any other production. But with time comes distance, and I’ve since gotten the opportunity to see some wonderful productions, one of which I saw last week at The Public. They have a solid show, and I highly recommend you check it out.
One thing seeing the recent production at the Public has done is make me realize exactly how much I miss performing. I have not been in a show since Little Shop of Horrors in 2013. I had a couple of opportunities that didn’t work out because I was in school and/or I had moved into a new position at work, so I wouldn’t be able to give the show the time it deserved. I’ve also gotten to stage manage a number of shows, which I’ve thoroughly enjoyed. But I miss the stage. I miss stirring an emotion in the audience. I miss meeting friends at the stage door after they’ve seen a show. It’s not that I miss hearing people say “oh hey – you’re wonderful” or anything like that. I genuinely miss singing, dancing, and telling stories. And I miss the camaraderie that comes from being part of a show. There are shows this season I would’ve auditioned for, had timing worked out. One is a bucket list show. But. Such is life, and I know the show will be beautiful. I don’t know yet if I’ll be able to see it though. š¦
A number of theaters will be soon announcing their next seasons, and I can’t wait. I’m hoping there’s something at one of them I can do. I’m hoping I can make it work with my work schedule, which can be quite busy. The hard thing is the season auditions. We don’t set our Arts & Culture season at work until after the season auditions happen. So am I automatically out because I don’t totally know my conflicts? I hate that. It feels so unfair. Or do I audition anyhow, and then later update them if I have any specific conflicts? I’m serious, y’all. What’s a girl to do?
Meanwhile, I’m going to work on songs, and update my repertoire. I’ll take some voice lessons. I’ll get active and take care of myself. All of this so, if I’m able, I can be as prepared as possible for any possible audition. Because I can hear the stage calling.
And I leave you with these (because what kind of theatre person wouldn’t include videos of themself singing) –